They must then tell the group why that object is significant to who they are. Have them find 5 - 10 people that they have something in common with. Have them use an object that they have on them that is like them and why.
We humans love to experience story-telling: When designing any venue, the intended types of performance provide clues about the shape and size of the room, the desired feeling of intimacy and collective engagement, and the overall distribution of seats within the room as related to the performers on stage.
Performance Type The Essential Question: What is the primary type of performance that audiences will see here? Theatre and Dance performances, for example, are usually most successful in a room that provides a sense of intimacy and immediacy.
With these performance types, the audience is close and tight to the stage so they can experience the immediacy of the performance. The overall physical volume and acoustics of a drama room are controlled so that the room supports the performance with little or no direct amplification.
A dance theatre can use amplified or live acoustic music, and may require more variable control of the acoustical environment. Conversely, live acoustical music performances are most successful in a room that has volume and some reverberance, allowing music to reflect, bounce, and fill the room.
Audiences enjoy being close to this type of performance as well, but it is less important to be close to the stage than it is to have a high-quality aural experience from anywhere in the room.
For musical theatre, staged concerts, and opera, a combination of theatre and live music performance criteria are considered with the balance between immediacy and acoustic envelopment varying based on the art form.
An auditorium often supports more than one type of performance or might need to serve an entirely new set of criteria as our definitions of performance evolve.
With this in mind a multi-use venue that possesses the flexibility to support a variety of performance types can be ideal.
Solutions for a multi-use venue might include flexible seating arrangements and stage configurations, variable acoustics, or room divisions that alter the volume of the room for different performance types. Planning the Room Once the performance type and general room function have been identified, the process of conceptually developing the room can begin.
There are three basic components that must be considered for the room to function properly: Sightlines ensure that every seat has an unobstructed line of sight to the performance, studying the distance and viewing angles from the most extreme seats both near and far. Again, the performance type informs the criteria for sightlines.
The geometry of the room should be designed to naturally enhance the acoustics of the room, while also taking variable and enhanced acoustic materials like reflectors and applied wall materials into consideration.
Lastly, code requirements for egress and accessibility will determine the required aisle and path widths throughout the assembly space, which will be based primarily on the capacity of the auditorium.
Considering Seat Distribution and Room Shape Intimacy, the shared experience, and audience enjoyment are significantly impacted by the relationship of seats not only to the stage, but also to each other. Seat Distribution and Room Shape are concerned with the position and arrangement of seats within the audience chamber.
In simple terms, Horizontal Seat Distribution studies the location of seats as related to the stage in plan view. Seated rows are often curved or angled toward the stage so that patrons are both facing forward in their seat and looking directly at the stage.
That is, they should not have to shift sideways or turn their heads to watch the performance. The size and location of sections or groups of seats will have a subtler but equally impactful influence on the audience experience.
Generally, the greater the physical distance from the stage, the greater potential for psychological distance from a performance. With this goal in mind an actual physical and perceived psychological distance from the stage can be mitigated by enhancing the perceived collective experience of a particular section of seating.
When it comes to auditorium design, there are an infinite number of ways to develop the shape of an auditorium.
Horizontal Sightlines Horizontal sightlines are a product of the extreme seats to the left and right of the auditorium.Comment: PLEASE READ FULL DESCRIPTION -USED GOOD- This book has been read and may show wear to the cover and or pages. There may be some dog-eared pages.
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